While looking through a box of albums, Ashar finds Khirad's letter from four years earlier and finally reads it for the first time. The truth of the letter overwhelms him as he realizes he committed a terrible mistake in believing the scene from four years before.
He then overhears a phone call between Farida and Khizar which confirms that what he saw was a fabrication, and that Farida deliberately threw Khirad out in order to disavow the unborn child. Horrified by the reality of his unintentional complicity with the conspiracy against Khirad, he flees to Hyderabad to beg her forgiveness.
He manages to convince Khirad to return home, where they face Farida. In his absence, Farida had found the letter, and thus upon seeing them both, begins to repeat her series of lies. However, this time, Ashar stands up to her, perhaps for the first time in his life. He rejects Farida's narrative, proclaims Khirad's innocence, and states that she belongs in this home with his daughter whom Farida also attempted to disavow. Farida becomes so frightened by Ashar's decision to support Khirad that she has a nervous breakdown, and loses all connection with reality.
Ashar then takes full responsibility for all of the events and begs Khirad to stay in the home. Khirad is hesitant, stating that she is a different person now, and that she isn't certain she can love him as she used to. She also wonders how Ashar could have imagined she was capable of the narrative fabricated about her, and how he could have abandoned her if he genuinely loved her. Deeply ashamed, Ashar agrees, states that it was entirely his fault, and that he has no right to expect she can ever forgive him.
However, he hopes that she will stay so that they can raise Hareem together. Khirad reluctantly consents to the arrangement, and a few months later, the three are shown as a real family unit. Although author Farhat Ishtiaq adapted the screenplay from her novel, Humsafar , there are differences between the two. While the novel is written from Hareem's perspective, the serial focuses on Khirad and Asher.
In the novel, Ashar is the brother of two sisters, while in the drama he has no siblings. In the novel, Sara is a minor character who is never close to Asher, becomes mentally ill and is hospitalized. In the serial, Sara is a main character who loves Ashar, is the love interest of Khizar, and dies at the end.
In the novel, Khizar loves a girl named Mehreen and never returns from America. Khirad and Maimoona reside in Nawabshah in the novel, while the serial's location is in Hyderabad. While the drama ends with the Farida's nervous breakdown and Ashar and Khirad's slow reconciliation, the novel ends with Asher begging Khirad to take him back, and Khirad falling into his arms. Naseer Turabi wrote the poem to express his sorrow after the fall of Dhaka marking the end of the Indo-Pakistani War of It serves as both the song for the title sequence, as well as background music during each episode.
Humsafar' s producer Momina Duraid, notes that its development was somewhat serendipitous. Ishtiaq then told her that Humsafar "had already been declined by two production houses," to which Duraid responded: "If I can feel it," then the "public can feel it as well. Ishtiaq states that when she first started working on the novel, she "wanted to understand if the idea of love is complete without trust. Humsafar had a large impact on Pakistan's television industry which had previously been dominated by works from India and Turkey.
Many said that although they had never watched a Pakistani drama before, they are now completely hooked on Humsafar. Many stated that the series led to a new phase in Urdu drama. It is sexist justice that soothes the hearts of patriarchal vigilantes, and keeps us on because we want to see the mother-in-law shamed, humiliated and thrust out, and moral purity rise to the top in the reunion of Khirad and Ashar.
It is a modern day fairy tale, better than Cinderella , worse than Shrek ; the born again revival of TV drama in a tweeting world. Mahira Khan's portrayal of "Khirad" received positive feedback from critics and was popular with viewers when the serial first debuted. Go back and look at it, and there is a reason why she was not, because the slap was removed from it, there were things that were removed and there were things that were brought in just to show that she had a spine.
We have a lot of crying women in serials. But despite going through so much hardship, Khirad is so dignified. She loved fiercely, she gave whole heartedly and when it came to her self respect she held that closest to her heart. What a woman. Humsafar was originally broadcast in on Hum TV.
It later aired on a number of global networks, and streamed on Netflix from [24] to Post a Comment. Momina Duraid Nina Kashif. Momina Duraid Productions. The Star. Retrieved 29 February The Express Tribune. Retrieved 14 June Dawn News. Retrieved 3 March The Hindu. Retrieved 15 June The Indian Express. Retrieved 26 September Times of India.
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